Howard Carter (9 May 1874 – 2 March 1939) was an English archaeologist and Egyptologist, noted as a primary discoverer of the tomb of Tutankhamun.

Howard Carter was born in London, England, the son of Samuel Carter, a skilled artist, who trained him to follow in his footsteps, and Martha Joyce (Sands) Carter.

Howard Carter

In 1891, at the age of 17, a talented young artist, he was sent out to by the Egypt Exploration Fund to assist Percy Newberry in the excavation and recording of Middle Kingdom tombs at Beni Hasan. Even at that young age he was innovative in improving the methods of copying tomb decoration. In 1892 he worked under the tutelage of Flinders Petrie for one season at Amarna, the capital founded by the pharaoh Akhenaten. From 1894 to 1899 he then worked with Édouard Naville at Deir el-Bahari, where he recorded the wall reliefs in the temple of Hatshepsut.

In 1899, Carter was appointed the first chief inspector of the Egyptian Antiquities Service (EAS). He supervised a number of excavations at Thebes (now known as Luxor) before he was transferred in 1904 to the Inspectorate of Lower Egypt. Carter resigned from the Antiquities Service in 1905 after an enquiry into an affray (known as the Saqqara Affair) between Egyptian site guards and a group of French tourists in which he sided with the Egyptian personne

http://en.wikipedia.org/wiki/Howard_Carter

Howard Carter and Tutankhamun’s Tomb

by Jimmy Dunn writing as John Warren

It may simply have been the luck of the draw, but no one has probably furthered the interests of Egyptology, and indeed the world’s archaeological focus on Egypt more than Howard Carter. His discovery of the tomb of Tutankhamun has inspired almost a century of Hollywood movies, books and media attention for this greatest of all living museums we call Egypt.

While Howard Carter’s find of the mostly intact tomb of a pharaoh may have been lucky, it was the result of a dedicated career in Egyptology and the culmination of consistent exploration.

Howard Carter was born on May 9th, 1874 in the small town of Kensington, London, England.  His father, an artist named Samuel John Carter who drew portraits (mostly of animals) for local landowners, trained Howard in the fundamentals of drawing and painting. He was Samuel Carter’s youngest son. But Howard Carter developed an early interest in Egypt, so when he was 17 years old, under the influence of Lady Amherst, a family acquaintance, he set sail for Alexandria, Egypt.  It would be his first trip outside of England, and he hoped to work with the Egyptian Exploration Fund as a tracer.  Tracers copied drawings and inscriptions on paper for further study.

His first assignment came at Bani Hassan, where he was tasked with recording and copying the scenes from the walls of the tombs of the princes of Middle Egypt.  It is said that he worked diligently throughout the day, and slept with the bats in the tombs at night.

It was under the direction of William Flinders Petrie that Carter grew into his own as an archaeologist.  Considered as one of the best field archaeologists of this time, Petrie really did not believe that Carter would ever become a good excavator. Yet Carter could have had no better teacher at this point in time. At el Amrna, Carter proved Petrie wrong by unearthing several important finds. During this training period, Carter also worked under Gaston Maspero, who would later become the Director of the Egyptian Antiquities Service.

A watercolor painting by Howard Carter

After being appointed as the Principle Artist of the Egyptian Exploration Fund’s excavations at Deir el Bahari under the direction of Edouard Naville, the Temple of Queen Hatshepsut, Carter was able to perfect his drawing skills and strengthen his excavation and restoration techniques.  His admirable efforts on the project led to his appointment by the Director of the Egyptian Antiquities Service, at age 25, as the first Inspector General of Monuments for Upper Egypt. This was obviously an important area of Egypt that included the ancient Thebes area.  He became responsible for supervising and controlling archaeology all along the Upper Nile Valley. It is interesting to note that during this time, he erected the first electric lights in the Valley of the Kings (in various tombs) and at the temples at Abu Simbel.

Regrettably, he was forced to resign from the Antiquities Service in 1905.  An incident occurred between Egyptian archaeology site guards at Saqqara and a few drunken French tourists. When the tourists became violent, Carter allowed the guards to defend themselves.  The tourists protested to various high officials including the Egyptian Consul General Lord Cromer.  Cromer called for Carter to make  formal apology, but Carter refused, and was relieved of his post and re-stationed to Tanta, a place with very little archaeological involvement.  Carter had very little choice but to leave the service.

After his resignation from the Antiquities Service he spent the next four years as a watercolor painter and dealer in antiquities. However, seeking private funding for excavation work, Carter became the Supervisor of Excavations for the 5th Lord of Carnarvon (George Herbert). While World War I delayed Howard Carter’s work,  by 1914, Lord Carnarvon owned one of the most valuable collections of Egyptian artifacts in private hands.  He would eventually discover six tombs in the Valley of the Kings on the West Bank at Luxor. But Carter had become somewhat obsessed with finding the tomb of a fairly unknown pharaoh named Tutankhamun, and year after year, searched in vain for this the pharaoh’s lost tomb.

In fact, Lord Carnarvon was becoming frustrated with Carter’s efforts, and by 1922, issued an ultimatum to the Egyptologist that this would be his last season of funding. Confident of his eventual success, on November 1, 1922, Carter began digging for his final season and three days later unearthed the staircase to Tutankhamun’s tomb.  After excavating down to the plaster blocks of the tomb, at 4 PM on November 26, 1922, Howard Carter broke through and made one of the 20th century’s most amazing discoveries.  It would take another ten years just to catalog the artifacts from this one tomb, which are currently in the Egyptian Antiquities Museum in Cairo, though they are scheduled to be moved in the near future.

Lord Carnarvon

During this time, Lord Carnarvon died in Cairo of pneumonia.  This sent the already sensational press into a frenzy.  Media hype about the mummy’s curse set the media on fire, and much to Carters displeasure, he began receiving letters from spiritualists from around the world. Legend has it that by 1929, eleven of the people connected with the discovery of the tomb had died, including two of Lord Carnarvon’s relatives, and Carter’s personal secretary, Richard Bethell. This would spawn mummy movies through the end of the the twentieth century and beyond.

After his discovery of Tutankhamun’s tomb, Howard Carter retired from active field work. He began collecting Egyptian antiquities himself, and became moderately successful.  He could often be found at the Old Winter Palace Hotel in Luxor, mostly keeping to himself. He returned to Kensington, England in 1939, and died on March 2nd of that year at the age of 65.

In the bikini and trendy colors for summer 2012, beauty known as “Lee Hyori Vietnam” School Children showing hot curves.

Images made ​​with the assistance of expert makeup make-up Truong Nha
Olala sexy outfits.

Biography of Keith Haring

Keith Haring was born on May 4, 1958 in Reading, Pennsylvania, and was raised in nearby Kutztown, Pennsylvania. He developed a love for drawing at a very early age, learning basic cartooning skills from his father and from the popular culture around him, such as Dr. Seuss and Walt Disney.

Upon graduation from high school in 1976, Haring enrolled in the Ivy School of Professional Art in Pittsburgh, a commercial arts school. He soon realized that he had little interest in becoming a commercial graphic artist and, after two semesters, dropped out. While in Pittsburgh, Haring continued to study and work on his own and in 1978 had a solo exhibition of his work at the Pittsburgh Arts and Crafts Center.

Later that same year, Haring moved to New York City and enrolled in the School of Visual Arts (SVA). In New York, Haring found a thriving alternative art community that was developing outside the gallery and museum system, in the downtown streets, the subways and spaces in clubs and former dance halls. Here he became friends with fellow artists Kenny Scharf and Jean-Michel Basquiat, as well as the musicians, performance artists and graffiti writers that comprised the burgeoning art community. Haring was swept up in the energy and spirit of this scene and began to organize and participate in exhibitions and performances at Club 57 and other alternative venues.

In addition to being impressed by the innovation and energy of his contemporaries, Haring was also inspired by the work of Jean Dubuffet, Pierre Alechinsky, William Burroughs, Brion Gysin and Robert Henri’s manifesto The Art Spirit, which asserted the fundamental independence of the artist. With these influences Haring was able to push his own youthful impulses toward a singular kind of graphic expression based on the primacy of the line. Also drawn to the public and participatory nature of Christo’s work, in particular Running Fence, and by Andy Warhol’s unique fusion of art and life, Haring was determined to devote his career to creating a truly public art.

As a student at SVA, Haring experimented with performance, video, installation and collage, while always maintaining a strong commitment to drawing. In 1980, Haring found a highly effective medium that allowed him to communicate with the wider audience he desired, when he noticed the unused advertising panels covered with matte black paper in a subway station. He began to create drawings in white chalk upon these blank paper panels throughout the subway system. Between 1980 and 1985, Haring produced hundreds of these public drawings in rapid rhythmic lines, sometimes creating as many as forty “subway drawings” in one day. This seamless flow of images became familiar to New York commuters, who often would stop to engage the artist when they encountered him at work. The subway became, as Haring said, a “laboratory” for working out his ideas and experimenting with his simple lines.

Between 1980 and 1989, Haring achieved international recognition and participated in numerous group and solo exhibitions. His first solo exhibition in New York.was held at the Westbeth Painters Space in 1981.  In 1982, he made his Soho gallery debut with an immensely popular and highly acclaimed one-man exhibition at the Tony Shafrazi Gallery. During this period, he also participated in renowned international survey exhibitions such as Documenta 7 in Kassel; the São Paulo Biennial; and the Whitney Biennial. Haring completed numerous public projects in the first half of the 80’s as well, ranging from an animation for the Spectacolor billboard in Times Square, designing sets and backdrops for theaters and clubs, developing watch designs for Swatch and an advertising campaign for Absolut vodka; and creating murals worldwide.

In April 1986, Haring opened the Pop Shop, a retail store in Soho selling T-shirts, toys, posters, buttons and magnets bearing his images. Haring considered the shop to be an extension of his work and painted the entire interior of the store in an abstract black on white mural, creating a striking and unique retail environment. The shop was intended to allow people greater access to his work, which was now readily available on products at a low cost. The shop received criticism from many in the art world, however Haring remained committed to his desire to make his artwork available to as wide an audience as possible, and received strong support for his project from friends, fans and mentors including Andy Warhol.

Throughout his career, Haring devoted much of his time to public works, which often carried social messages. He produced more than 50 public artworks between 1982 and 1989, in dozens of cities around the world, many of which were created for charities, hospitals, children’s day care centers and orphanages. The now famous Crack is Wack mural of 1986 has become a landmark along New York’s FDR Drive. Other projects include; a mural created for the 100th anniversary of the Statue of Liberty in 1986, on which Haring worked with 900 children; a mural on the exterior of Necker Children’s Hospital in Paris, France in 1987; and a mural painted on the western side of the Berlin Wall three years before its fall. Haring also held drawing workshops for children in schools and museums in New York, Amsterdam, London, Tokyo and Bordeaux, and produced imagery for many literacy programs and other public service campaigns.

Haring was diagnosed with AIDS in 1988. In 1989, he established the Keith Haring Foundation, its mandate being to provide funding and imagery to AIDS organizations and children’s programs, and to expand the audience for Haring’s work through exhibitions, publications and the licensing of his images. Haring enlisted his imagery during the last years of his life to speak about his own illness and generate activism and awareness about AIDS.

During a brief but intense career that spanned the 1980s, Haring’s work was featured in over 100 solo and group exhibitions. In 1986 alone, he was the subject of more than 40 newspaper and magazine articles. He was highly sought after to participate in collaborative projects ,and worked with artists and performers as diverse as Madonna, Grace Jones, Bill T. Jones, William Burroughs, Timothy Leary, Jenny Holzer, Yoko Ono and Andy Warhol. By expressing universal concepts of birth, death, love, sex and war, using a primacy of line and directness of message, Haring was able to attract a wide audience and assure the accessibility and staying power of his imagery, which has become a universally recognized visual language of the 20th century.

Keith Haring died of AIDS related complications at the age of 31 on February 16, 1990. A memorial service was held on May 4, 1990 at the Cathedral of St. John the Divine in New York City, with over 1,000 people in attendance.

Since his death, Haring has been the subject of several international retrospectives. The work of Keith Haring can be seen today in the exhibitions and collections of major museums around the world

Keith-Haring-May-4-2012

Keith-Haring-May-4-2012

Journals
Keith Haring’s Bio, In His Own Words

BEGINNINGS

This biography uses Keith’s own words to tell his story–words that first appeared in numerous interviews and profiles published during his lifetime, as well as in his personal diaries.

Keith was born to Joan and Allen Haring on May 4, 1958. He grew up in Kutztown, Pennsylvania, the oldest of four siblings. His artistic leanings were evident from a very early age.

“…My father made cartoons. Since I was little, I had been doing cartoons, creating characters and stories. In my mind, though, there was a separation between cartooning and being an ‘artist’…”¹

Art continued to be a central interest throughout Keith’s experimental and rather rebellious adolescence. Through books and museum visits (Keith saw his first Warhols on a church visit to the Hirshhorn in Washington, D.C.) he began to develop an awareness of modern art. After high school, Keith enrolled in the Ivy School of Professional Art in Pittsburgh.

“I’d been convinced to go [to art school] by my parents and guidance counselor. They said that if I was going to seriously pursue being an artist, I should have some commercial-art background. I went to a commercial-art school, where I quickly realized that I didn’t want to be an illustrator or a graphic designer. The people I met who were doing it seemed really unhappy; they said that they were only doing it for a job while they did their own art on the side, but in reality that was never the case–their own art was lost. I quit the school.”²

In 1976, Keith hitchhiked cross-country, stopping along the way to look at other art programs. When he returned to Pittsburgh later that year, he sat in on classes at the University of Pittsburgh, and eventually became involved with the Pittsburgh Arts and Crafts Center, where he had his first important show.

Elements that would become central to Keith’s style were beginning to emerge; he began working with a vocabulary of small, interconnected abstract shapes. At the same time, he began to discover some of his most important influences among modern artists.

“…I went to a huge retrospective by Pierre Alechinsky at the Carnegie Museum of Art. It was the first time that I had seen someone who was older and established doing something that was vaguely similar to my little abstract drawings. It gave me this whole new boost of confidence.”³

“…I used the library at Carnegie all the time. I was reading a lot. I was really into Dubuffet at the time… the last works that he did were very similar to the little shaped things I was doing….”

“…And that was the time that I started doing the really big things. I think I was taking the cue from Alechinsky and saying I can do these same things, but I can do them with ink, and I can do them big. I didn’t have to worry about what it was, it was completely spontaneous. But still somehow about the patterns and the shapes…”

“…I saw Christo talk around the same time, and it was right after he had done the Running Fence [1972-1976]. That was another thing that had the most profound effect on me…the event as public art takes it into another arena besides object-making…”⁴

“…The thing I responded to most was [Christo's] belief that art could reach all kinds of people, as opposed to the traditional view, which has art as this elitist thing…”⁵

Keith was excited enough about finding his artistic role models and about showing his work in Pittsburgh to start to consider his next steps as an artist.

“…When someone canceled an exhibition [at the Pittsburgh Arts and Crafts Center] and they had an empty space, the director offered me an exhibit in one of the galleries. For Pittsburgh, this was a big thing, especially for me, being nineteen and showing in the best place I could show in Pittsburgh besides the museum. From that time, I knew I wasn’t going to be satisfied with Pittsburgh anymore or the life I was living there. I had started sleeping with men…I decided to make a major break. New York was the only place to go…”⁶.

By: http://www.haring.com/archives/journals/beginnings.html

Keith Haring painting in Barcelona 1989

Laughter effectively, work efficiently all of you!

Rising rapidly as more

The derivative of women

Needless to fit the lock vehicles

Something like this tattoo

Class computing

Override terminal

“Hey, use deodorant roll this view,” inflammatory wing “heavier than you.”

Look to professional hair when you … bald.

The chair misleading.

Advertising condoms.

Tulisa Contostavlos

Cheryl Cole

Rihanna

Rosie Jones

Georgia Salpa

Katy Perry

Megan Fox

Keeley Hazell

Mila Kunis

Emily Atack

You May Rain

Designed by Ioana Bitin (aka Yoot) from Romania.

• preview
• with calendar: 1280×800, 1280×1024, 1600×1200, 1680×1050, 1920×1200, 2560×1440
• without calendar: 1280×800, 1280×1024, 1600×1200, 1680×1050, 1920×1200, 2560×1440

Flight Of The Owl

Designed by Katerina Bobkova from Ukraine.

• preview
• with calendar: 320×480, 1024×768, 1024×1024, 1280×800, 1440×900, 1680×1050, 1920×1080
• without calendar: 320×480, 1024×768, 1024×1024, 1280×800, 1440×900, 1680×1050, 1920×1080

Colorful

Designed by Lotum from Germany.

• preview
• with calendar: 320×480, 640×960, 1024×1024, 1280×800, 1280×1024, 1440×900, 1920×1200
• without calendar: 320×480, 640×960, 1024×1024, 1280×800, 1280×1024, 1440×900, 1680×1050, 1920×1200

May Charts

“Charts of May weeks. Designed for working environment that helps classify desktop files into categories.” Designed by Sherif Saleh from France.

• preview
• with calendar: 320×480, 640×480, 800×480, 800×600, 1024×768, 1024×1024, 1152×864, 1280×720, 1280×800, 1280×960, 1280×1024, 1360×768, 1366×768, 1440×900, 1440×1050, 1600×1200, 1680×1050, 1680×1200, 1920×1080

Yatta!

Designed by Alex Dovksha from Belarus.

• preview
• with calendar: 1024×1024, 1280×800, 1440×900, 1680×1050, 1920×1080, 1920×1200
• without calendar: 1024×1024, 1280×800, 1440×900, 1680×1050, 1920×1080, 1920×1200

Food Of Love

“Love needs food too! And what can be better than music! The two most prescious gifts of life, love and music is expressed beautifullyin this quote by William Shakespeare.” Designed by Adrija Mukhopadhyay from India.

• preview
• with calendar: 1280×720, 1280×800, 1280×960, 1280×1024, 1400×1050
• without calendar: 1280×720, 1280×800, 1280×960, 1280×1024, 1400×1050

Sunny Hours

Designed by Christine Bradway from USA.

• preview
• with calendar: 320×480, 800×600, 1024×768, 1024×1024, 1280×800, 1280×960, 1280×1024, 1440×900, 1600×1200, 1680×1050, 1920×1080, 1920×1200, 2560×1440
• without calendar: 320×480, 800×600, 1024×768, 1024×1024, 1280×800, 1280×960, 1280×1024, 1440×900, 1600×1200, 1680×1050, 1920×1080, 1920×1200, 2560×1440

Japan

“Japan is the land of the rising sun.” Designed by Cheloveche.ru from Russia.

• preview
• with calendar: 1024×768, 1280×800, 1280×1024, 1440×900, 1680×1050, 1920×1200
• without calendar: 1024×768, 1280×800, 1280×1024, 1440×900, 1680×1050, 1920×1200

Doodle Lizard

“Negative space lizard on a bed of doodles.” Designed by James N Osborne from United Kingdom.

• preview
• with calendar: 1024×1024, 1280×800, 1280×1024, 1440×900, 1680×1050, 1920×1200, 2560×1440
• without calendar: 1024×1024, 1280×800, 1280×1024, 1440×900, 1680×1050, 1920×1200, 2560×1440

Spring Dots

Designed by Pietje Precies from the Netherlands.

• preview
• with calendar: 320×480, 1024×768, 1280×800, 1280×1024, 1440×900, 1680×1050, 1920×1200
• without calendar: 320×480, 1024×768, 1280×800, 1280×1024, 1440×900, 1680×1050, 1920×1200

Limundograd

“Limundograd (Limundocity) is an illustration for an e-commerce auction site called limundo.com, designed to show users what the site consists of, and much more!” Designed by Mrki from Serbia.

• preview
• with calendar: 1024×768, 1152×864, 1280×720, 1280×800, 1280×960, 1280×1024, 1440×900, 1600×1200, 1680×1050, 1920×1080, 2560×1440
• without calendar: 1024×768, 1152×864, 1280×720, 1280×800, 1280×960, 1280×1024, 1440×900, 1600×1200, 1680×1050, 1920×1080, 2560×1440

Wishing On A Star

“Keep an eye out for those shooting stars during the clear summer nights. If you see one, make a wish and maybe it’ll come true…” Designed by Eddie Wong from Ireland.

• preview
• with calendar: 1024×768, 1280×800, 1280×1024, 1440×900, 1600×1200, 1680×1050, 1920×1080, 1920×1200, 1920×1440, 2560×1440
• without calendar: 1024×768, 1280×800, 1280×1024, 1440×900, 1600×1200, 1680×1050, 1920×1080, 1920×1200, 1920×1440, 2560×1440

Be Like Him

“Inspired by a verse in the Bible.” Designed by Lex Valishvili from Russia/USA.

• preview
• with calendar: 800×600, 1280×800, 1440×900, 1600×1200, 1920×1080
• without calendar: 800×600, 1280×800, 1440×900, 1600×1200, 1920×1080

Thingvellir

“The photo was taken at Thingvellir national park, Iceland.” Designed by Naioo from Germany.

• preview
• with calendar: 1280×720, 1440×900, 1680×1050, 1920×1080, 1920×1200, 2560×1440
• without calendar: 1280×720, 1440×900, 1680×1050, 1920×1080, 1920×1200, 2560×1440

Justin Bbq

“It’s spring time, and we at JustLanded.com are celebrating with a BBQ!” Designed by Adelacreative from UK.

• preview
• with calendar: 320×480, 640×480, 800×480, 800×600, 1024×768, 1024×1024, 1152×864, 1280×720, 1280×800, 1280×960, 1280×1024, 1366×768, 1400×1050, 1440×900, 1600×1200, 1680×1050, 1680×1200, 1920×1080, 1920×1200, 1920×1440
• without calendar: 320×480, 640×480, 800×480, 800×600, 1024×768, 1024×1024, 1152×864, 1280×720, 1280×800, 1280×960, 1280×1024, 1366×768, 1400×1050, 1440×900, 1600×1200, 1680×1050, 1680×1200, 1920×1080, 1920×1200, 1920×1440

Red Panda

Designed by Ingrid Cruz from USA.

• preview
• with calendar: 1024×768, 1280×720, 1280×800, 1366×768, 1680×1050, 1920×1080

Mangolicious May

“In India, May is mostly known for summer holidays and the season of Mango- the best amongst all the fruits. Its the best in terms of flavour, richness and sweetness.As the scorching heat increases in this month, its the delicious mango which keeps us going and makes us look forward to summers. This wallpaper is dedicated to the King of Fruits-Mango.” Designed by Charuta Puranik from India.

• preview
• with calendar: 320×480, 1024×768, 1280×800, 1280×1024, 1680×1050, 1920×1200
• without calendar: 320×480, 1024×768, 1280×800, 1280×1024, 1680×1050, 1920×1200

Grunge Fairy

“May’s fairy is grungy and dark.” Designed by Bobbie Killip from UK.

• preview
• with calendar: 1024×1024, 1280×1024, 1280×796, 1440×900, 1920×1080, 1920×1200
• without calendar: 1024×1024, 1280×1024, 1280×796, 1440×900, 1920×1080, 1920×1200

Wonderful Island

“Wonderful Island is the annual meeting point for a unique community of various fairy creatures from different parts of the world. They come here every single year on the exact same day – May, 1 to talk with the old friends and have fun. The merriest guys are, certainly, Furst, the middle-aged Yeti from the North of Iceland and his best friend Charles Dooon, aka DJ Chuck-Chuck, who can’t imagine their lives without music.” Designed by Maria S. from USA.

• preview
• with calendar: 320×480, 1024×768, 1024×1024, 1280×800, 1280×1024, 1366×768, 1680×1050, 1920×1080, 1920×1200
• without calendar: 320×480, 1024×768, 1024×1024, 1280×800, 1280×1024, 1366×768, 1680×1050, 1920×1080, 1920×1200

Solitude Is Bliss

Designed by Mohammed Aaqib Ansari from India.

• preview
• with calendar: 1280×800, 1440×900, 1680×1050, 1920×1080, 1920×1200, 2560×1440
• without calendar: 1280×800, 1440×900, 1680×1050, 1920×1080, 1920×1200, 2560×1440

Tentacles

Designed by Julie Lapointe from Canada.

• preview
• with calendar: 320×480, 1024×768, 1280×800, 1280×1024, 1440×900, 1680×1050, 1920×1200
• without calendar: 320×480, 1024×768, 1280×800, 1280×1024, 1440×900, 1680×1050, 1920×1200

Come What May

Designed by Melissa Infantino from USA.

• preview
• with calendar: 320×480, 1024×768, 1240×1240, 1280×800, 1280×1024, 1366×768, 1440×900, 1680×1050, 1920×1080, 1920×1200
• without calendar: 320×480, 1024×768, 1240×1240, 1280×800, 1280×1024, 1366×768, 1440×900, 1680×1050, 1920×1080, 1920×1200

Are you ready to welcome smile tempted weekend yet?

Drink to the last drop

Stampede to know new hope rose to new heights

Lady era

Toileting the music, he liked this one go

IPAD computer era

Wish you a laugh Sunday with Dr. Sonja community station network

Origin idea Kappa

Fans of high grade heat

Just a girlfriend is enough

Does anyone not like typing?